Jury Presidents 2017
審査員長 Michael Ritchie

Production & Post-Production and Music Video
制作 & ポストプロダクション / ミュージックビデオ

Jury 審査員

Michael Ritchieは、オーストラリアを拠点とし人々の記憶に残る作品を作り出すプロダクション会社Revolver/Will O'Rourkeの代表取締役兼エグゼクティブ・プロデューサー兼共同所有者です。

Michaelは広告代理店でそのキャリアをスタートさせました。Ogilvyシドニー支店の放送部門のトップを務めた後は、DDB香港で地域的な仕事に関わりました。その後、プロダクション側の仕事につきます。1999年Rvolverに加わり、後にSteve Rogersとパートナーになったことが、彼にとって最も成功を収めたコラボレーションとなります。

カンヌライオンズ、D&ADフィルムクラフト部門、LIAを含む国際的なアワードで審査員を務め、Spikes Asiaのフィルムクラフト部門では審査員長を務めました。AWARDではクラフト部門の審査員長を2度努めています。さらに、カンヌライオンズでグランプリ賞を2度、Spikes Asiaでグランプリ賞を5度、そして複数のゴールドライオンズ賞やイエローペンシル賞も獲得しています。

2015年、Revlver/Will O'RourkeはAWARD、Mumbrella、そしてNew York Festivalsの年間最優秀制作会社賞を受賞しています。

ごく最近、MichaelとSteveはMartha Colemanと共にTVとフィーチャー映画の新しい制作会社RevLoverを設立しました。

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Emma Daines

エグゼクティブ・プロデューサー / グループマネージング・ディレクター
Fin Design & Effects
シドニー


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Emma Daines

Fin Design, with facilities in Sydney and Shanghai, is one of the most well reputed and highly awarded Visual Effects Companies in South East Asia.

Emma’s experience in the Advertising Industry spans nearly 30 years working in leading Post-Production facilities in Melbourne, London, Asia and Sydney and working in Production in Australia, and Asia.

Having set up her own Production Company in Melbourne in the early 90’s, Emma made the move to London, returning to the world of Post-Production, running the Facility Soho 601, London’s first digital Post-Production House.

From London she then relocated to Sydney, Australia to take a Senior Producer role at Animalogic. Exposed to some of the most well known Directors and Producers locally and internationally, Emma became recognised as one of the most experienced VFX Producers in Australia.

After 5 years at Animalogic, in 2001, Emma co-founded a new and elite, boutique Visual Effects and Design House: Fin Design and Effects.

Emma is most well noted for her Producing skills with an impressive wealth of knowledge and understanding of high end Visual Effects, it’s technicalities and her ability to manage a team to pursue ambitious creative results. She is recognised for her passion for the industry and innovative approach to extend and stimulate those around her in the pursuit for excellence.

Now sole owner of Fin Design, Emma has managed to build Fin up to be one of the most highly respected and awarded VFX House in South East Asia boasting numerous awards that include CLIO, Cannes Lion, New York Festival Awards, Adfest, Axis, Award and Spikes.

With the Sydney office including a core group of 30 artists, Emma then embarked on establishing Fin Design Shanghai.

After a successful launch last year she is now working with the leading companies and Advertising Agencies in the region.

Emma steadfast approach to push boundaries, to stimulate creative and to seek challenges within herself and the people around her make her a standing force in the Advertising industry.

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Matthew Fone

オーナー
Riff Raff Films
ロンドン


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Matthew Fone

Matthew started his production career in 1991. He has worked on most of the rungs of the production ladder, now finding himself working for his own production company, Riff Raff.

He has produced award wining creative work for clients such as Cadburys, Nike, Adidas, Orange, Olympus, JC Penney, Diet Coke as well as music videos for the likes of The Streets, Madonna, LCD Soundsystem, Bat for Lashes, Badly Drawn Boy, Basement Jaxx and Kings of Leon.

Recently he has produced work through Riff Raff for the likes of Wes Anderson and H&M, Mailchimp for Droga5 New York.

Directors he has worked with include, Dougal Wilson, Juan Cabral, Patrick Daughters Adam Smith., and recently Megaforce, Francois Rousselet and somebody he can’t tell you about.

In 2007 he produced Cadburys Gorilla which went on to win many awards including the Grand Prix at Cannes in 2008.

Oliver Fuselier

Oliver Fuselier

ライブアクション担当マネージング・パートナー
Tool of North America
サンタモニカ


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Oliver Fuselier

Since joining Tool in 2011, Fuselier has curated the company’s roster to boast groundbreaking Directors such as Marc Forster, Philip Montgomery, Emmy award winner Danielle Levitt, Martin Aamund, the Schaffers and James Wan. He brings to his post an enterprising spirit that reaches beyond traditional advertising models and, as such, his tenure has borne exciting new projects with unprecedented scope and breadth, including his collaboration with San Francisco-based online media and e-commerce platform Brit + Co, as well as Go-Pro’s first television commercial. He has overseen a vast array of AR, AI, VR, and live-stream projects, including the 360 film ‘Eyes on Gigi’ for Director Marc Forster (the #1 most-viewed 360 ad on Youtube in 2016), a 360-VR experience for Adidas starring James Harden, and a groundbreaking new project for Oculus helmed by one of our latest artist signings, Kevin Cornish.

Fuselier boasts over 20 years of experience as a Producer, counting legendary directors David Fincher, Mike Mills, Kinka Usher, Michael Bay and numerous others among his many collaborators. Under his leadership at Tool, he has overseen a steady stream of live action, interactive, and 360-VR content, including the acclaimed integrated executions Hennessy & Clouds Over Cuba (Dir. Ben Tricklebank), JAM with Chrome, and Take This Lollipop; VR-driven projects for MS Society (W&K Portland) and Infiniti (CP+B); as well as spots most recently for Geico, SoFi, Microsoft, Go Daddy, Under Armour, Keystone Light, Mini, and Airbnb’s first ever broadcast campaign. Fuselier has served on the west board of the AICP and won many awards for his work, including Emmys, Webbys, Clios, VMAs, and the AICP Next Award, as well as honors from the FWA and SXSW. He recently served as a juror for the Ciclope Festival in both Mexico and Berlin and for the London International Awards.

Since Fuselier’s promotion to Managing Partner of Live Action, he has added a handful of young up-and-coming Directors to the roster, such as Danielle Levitt, Rachel McDonald, Shawn Zeytinoglu, and Brig White, a method that Fuselier employed to keep the landscape current and relevant. Shortly after Tool was named to Creativity and Advertising Age’s prestigious Production Company A-List in 2015 (and again in 2016), Fuselier led the company to its first ever Cannes Palme d’Or win for Production Company of the Year. Fuselier, in partnership with Dustin Callif, recently brought Executive Producer of VR & 360 Julia Sourikoff on board as part of an ongoing mission toward Tool’s new media capabilities, including AI, AR, and VR. Fuselier has used his versatile experience to give VR and industry-related talks at various agencies and conferences around the world.

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Diane Jackson

チーフ・プロダクション・オフィサー
DDB Chicago
シカゴ


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Diane Jackson

Every day Diane Jackson transcends barriers and expectations, not only by what she does for DDB as their Chief Production Officer, but by who she is. Colleagues and clients alike recognize Diane’s rare combination of tenacity, strategic vision and creativity; she defies the conventional constructs of the production discipline. As a producer and charismatic leader she is inventive and insightful, adventurous in scope but thoughtful about all the small details.

What sets Diane apart is her ability to make the “impossible” happen. As an example, she was tasked last minute with a production for The Clinton Foundation that would take place in three countries, included segments with numerous celebrities including Barbara Streisand, Jay Z, Tony Blair and Clinton himself.

Not only has she been critical to sustaining DDB Chicago’s growth and profile in the industry, but Diane has also been formative in strategizing for the entire network. Her influence will continue to permeate the company both locally and globally on brands such as State Farm, Mars Wrigley and FCA Jeep.

Diane has served multiple times on the AICP Curatorial Panel at the Museum of Modern Art in New York and was the recipient of the Institute Practitioner in Advertising (London) – Distinction in Advertising award; she has also received the Fasules, Sharpe, Yovetich Leadership Award, the first Producer ever to receive that honor. Diane was keynote speaker at The Women in Film forum. She has served on the Film Craft jury and spoke on the Instagram panel at the Cannes Lions Advertising Festival. In 2016, she was President of the London International Awards, Production & Post-Production and Music Video jury.

Diane is very proud to serve as a Board Member of the VCU Brandcenter.

Donna Lamar

Donna Lamar

オーナー
Stalking Muses
サンタモニカ


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Donna Lamar

Donna Lamar is an award winning Writer/Director + Creative Producer working in the advertising and entertainment industries. Her ability to move between creative and production has been the hallmark of a career that she’s spent “making it happen” as either a Writer/Creative Director or Producer, working on global brands like Twitter, Nike, Disney, Gatorade, Beats by Dre., etc. For 10 years Donna could be found living in either Amsterdam or London but working almost anywhere in the world. It is this experience that cultivates her unique aesthetic and helps her transcend traditional industry boundaries. But more than anything else, it informs how she tells stories. How she grounds humanity in the physical and the metaphysical, and reaches for the truth of a moment to communicate a universal thought, feeling or need. Recently, she’s started directing though her company Stalking Muses. Her next goal is to be an inspiring director, not an aspiring one.

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Keiko Ono

エグゼクティブ・プロデューサー
Spoon Inc.
東京


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Keiko Ono

Keiko Ono is a bilingual producer at Spoon Inc., a Japanese production company highly regarded for its keen eye for creativity.

Starting her career as a freelance coordinator in New York, Keiko eventually joined Spoon to become more heavily involved in production. She has since worked with both fully Japanese as well as global projects.

Since 2014 she has been involved in Toyota's 5 Continents Drive Project and has been networking with creative teams outside of Japan, including: Australia, South Africa, North and South America, just to name a few.

Whilst juggling both domestic and international projects, Keiko is constantly broadening Spoon's international horizon in search for more creative opportunities.

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David Rolfe

EVP、インテグレーテッド・プロダクション担当ディレクター
BBDO NY
ニューヨーク


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David Rolfe

As Director of Production, Dave oversees BBDO’s production areas. Rolfe joined BBDO in 2012 to help the agency break new barriers with innovation, agility and cross-medium work.

Dave spent much of his career at Crispin, Porter + Bogusky, as a partner and leader in CPB's forays into digital and innovation throughout the 2000's. Dave also ran Production at DDB Chicago for a short stint in 2006-07.

He has garnered nearly every content and innovation award, based on work with clients like GE, AT&T, Lowe's, Foot Locker, Pepsi, Burger King, Best Buy, Microsoft, Ikea, Anheuser-Bush, and VW among others, and was recently named to the Entertainment Jury at the 2016 Cannes Lions Festival. Dave founded "Integrated Production" in '02 at CPB, now the industry standard, highlighting the need to systemically evolve capabilities of production departments. Dave now leads the charge at BBDO with a new model, 'Infinite Production.'

Dave and his wife Tiffany Rolfe live in NY with their two young children.

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Hélène Segol

エグゼクティブ・プロデューサー
Wanda Productions
パリ


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Hélène Segol

Hélène Ségol studied anthropology and even worked one year on a research project about turtle meat symbolism in Costa Rica. Being a turtle meat symbolism expert wasn’t enough, so she studied international production at La Fémis (Paris) and Kilmakademie (Stuttgart).

She began her career at La Pac productions where she spent a year building a new company called Mr Hyde.

She then joined Wanda in charge of music videos. She gathered a bunch of talented Directors and won several international music projects directed by J.A.C.K. or Woodkid.

Following these successes, she launched Wanda productions’ digital branch, building from scratch a network within the digital community. She worked on numerous projects there, but she notably produced the first cross-media project: film + app for Cassius’ song "I Love You So" directed by WE ARE FROM LA. But also the award-winning projects: The Joker Interview, BATMAN ARKHAM ORIGINS (5 Cannes Lions, 1 FWA, 1 Art Director’s Club, 1 One Show) and Trip to the sea, GUY COTTON (5 Cannes Lions, 4 FWA including site of the Year, 2 Awwwards, 1 LOVI Award).

Now she has been Managing Director & Partner at Wanda productions for one year.

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Ben Stallard

プロダクション・ディレクター
The Mill
ロンドン


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Ben Stallard

Ben Stallard is the Production Director of The Mill’s London studio.

In this role, Ben leads the production team across all Mill capabilities, driving the company’s involvement in all areas of VFX, Colour and Interactive production. He also focuses on forging new, and continuing existing creative collaborations with top industry peers.

With over 22 years of experience in VFX and advertising, Ben has worked throughout his career with some of the industry’s most talented Directors such as; Jonathon Glazer, Nicholai Fuglsig and Rupert Sanders, as well as maintaining strong relationships with leading agencies including; adam&eveDDB, AMV and BBH.

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